The concept of indoor-outdoor flow is foundational to residential modernism. Iconic architects such as Richard Neutra took advantage of the International style’s minimalism to create spaces that incorporate and emphasize their surroundings and contribute to the health of residents with natural ventilation, natural light, and the ability to enjoy large parts of home life in the fresh outdoor air. But what happens to that vision when, as is currently the case, the relative health of indoor and outdoor spaces is part of daily conversation, and the transition between them is qualified, negotiated, and usually far from seamless?

One answer can be found in Shibui House, designed by the award-winning and versatile Nick Deaver. Located on around five acres of woods above the Blanco River near Wimberley, the 2,583-square-foot home is restrained and modest—at least compared to the McMansion that presumably might have been built there—in a way that belies the underlying fine design.

Clad in gray wood, with a metal roof and deep overhangs, the home is riff on the rural Texas vernacular, unassuming and practical. Interiors, on the other hand, are profoundly minimal, all white walls and pale floors, open spaces, and giant windows. The effect is ethereal and serene, conveying a place of refuge and comfort, and the seamless indoor/outdoor flow here is as much visual as it is physical—though, with folding glass walls and two decks, the latter is easily available as well.

With three bedrooms, two bathrooms, an office, and a family room, as well as the woods beyond, Shibui House is well-suited for long stays and spread-out visits. Perhaps most significantly, though, it looks like its subtle features and ever-changing views reward long contemplation—one of the few luxuries we have plenty of at the moment.